Lecky to Leland

Lecky, William Edward Hartpole (1838-1903).—Historian, the son of a landed gentleman of Carlow, was born near Dublin, and educated at Cheltenham and Trinity Coll., Dublin. Originally intended for the Church, he devoted himself to a literary career. His first work of importance was Leaders of Public Opinion in Ireland (1861) (essays on Swift, Flood, Grattan, and O’Connell). The study of Buckle’s History of Civilisation to some extent determined the direction of his own writings, and resulted in the production of two important works, History of the Rise and Influence of the Spirit of Rationalism in Europe (1865), and History of European Morals from Augustus to Charlemagne (1869), both remarkable for learning, clearness, and impartiality. Both, however, gave rise to considerable controversy and criticism. His principal work is The History of England in the Eighteenth Century (1878-90). Characterised by the same sterling qualities as his preceding books, it deals with a subject more generally interesting, and has had a wide acceptance. His view of the American war, and the controversies which led to it, is more favourable to the English position than that of some earlier historians. Other works are Democracy and Liberty (1896), and The Map of Life (1899). Though of warm Irish sympathies, Lecky was strongly opposed to Home Rule. He sat in Parliament for his University from 1895 until his death. He received many academical distinctions, and was a Corresponding Member of the Institute of France, and one of the original members of the Order of Merit.

Lee, Nathaniel (1653?-1692).—Dramatist, son of a clergyman at Hatfield, was educated at Westminster School and Cambridge After leaving the University he went to London, and joined the stage both as actor and author. He was taken up by Rochester and others of the same dissolute set, led a loose life, and drank himself into Bedlam, where he spent four years. After his recovery he lived mainly upon charity, and met his death from a fall under the effects of a carouse. His tragedies, which, with much bombast and frequent untrained flights of imagination, have occasional fire and tenderness, are generally based on classical subjects. The principal are The Rival Queens, Theodosius, and Mithridates. He also wrote a few comedies, and collaborated with Dryden in an adaptation of Œdipus, and in The Duke of Guise.

Lee Sophia (1750-1824), Lee, Harriet (1757-1851).—Novelists and dramatists, daughter of John Lee, an actor, were the authors of various dramatic pieces and novels. By far their most memorable work was The Canterbury Tales, 5 vols. (1797-1805) which, with the exception of two, The Young Lady’s and The Clergyman’s, were all by Harriet. The most powerful of them, Kruitzner, fell into the hands of Byron in his boyhood, and made so profound an impression upon him that, in 1821, he dramatised it under the title of Werner, or the Inheritance. The authoress also adapted it for the stage as The Three Strangers. The tales are in general remarkable for the ingenuity of their plots. Harriet lived to the age of 94, preserving to the last her vigour of mind and powers of conversation. Godwin made her an offer of marriage to which, however, his religious opinions presented an insuperable barrier. Sophia’s chief work was The Chapter of Accidents, a comedy, which had a great run, the profits of which enabled the sisters to start a school at Bath, which proved very successful, and produced for them a competence on which they were able to retire in their later years.

Le Fanu, Joseph Sheridan (1814-1873).—Novelist, son of a Dean of the Episcopal Church of Ireland, and grand-nephew of Richard Brinsley Sheridan, was educated at Trinity Coll., Dublin, and became a contributor and ultimately proprietor of the Dublin University Magazine, in which many of his novels made their first appearance. Called to the Bar in 1839, he did not practise, and was first brought into notice by two ballads, Phaudrig Croohoore and Shamus O’Brien, which had extraordinary popularity. His novels, of which he wrote 12, include The Cock and Anchor (1845), Torlough O’Brien (1847), The House by the Churchyard (1863), Uncle Silas (perhaps the most popular) (1864), The Tenants of Malory (1867), In a Glass Darkly (1872), and Willing to Die (posthumously). They are generally distinguished by able construction, ingenuity of plot, and power in the presentation of the mysterious and supernatural. Among Irish novelists he is generally ranked next to Lever.

Leighton, Robert (1611-1684).—Divine, was the son of Alexander Leighton, physician, and writer on theology, who, on account of his anti-prelatic books, was put in the pillory, fined, and had his nose slit and his ears cut off. Robert was educated at Edinburgh, after which he resided for some time at Douay. Returning to Scotland he received Presbyterian ordination, and was admitted minister of Newbattle, near


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