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directed by strong practical sense and judgment, but the style is often heavy, loose, and even slipshod, and in most of his works there are patches in which he falls far below his best. His poetry, though as a whole belonging to the second class, is full of broad and bold effects, picturesqueness, and an irresistible rush and freshness. As a lyrist, however, he stands much higher, and in such gems as Proud Maisie and A weary lot is thine, Fair Maid, he takes his place among our greatest singers. His chief fame rests, of course, upon the novels. Here also, however, there is the same inequality and irregularity, but there is a singular command over his genius in virtue of which the fusing, creating imagination responds to his call, and is at its greatest just where it is most needed. For the variety, truth, and aliveness of his characters he has probably no equal since Shakespeare, and though, of course, coming far behind, he resembles him alike in his range and in his range and in his insight. The most remarkable feature in his character is the union of an imagination of the first order with practical sagacity and manly sanity, in this also resembling his great predecessor. Summary.Born 1771, educated Edinburgh, called to Bar 1792, Sheriff of Selkirk 1799, Principal Clerk of Session 1812, first published translation of Lenore etc., wrote ballads and made translation from German, published Minstrelsy of Scottish Border 1802-3, Lay of Last Minstrel 1805, began Waverley 1805, partner with Ballantynes 1806, published Marmion 1808, Lady of Lake 1810, began to build Abbotsford 1812, Waverley novels began and continued 1814-31, health began to fail 1817, made Baronet 1820, ruined by failure of Ballantynes 1826, devotes rest of his life to clearing off debt by novels and historical works, Tales of a Grandfather, Life of Napoleon, etc., health finally gave way 1830, died 1832. The great authority is the Life by Lockhart, but it has been supplemented by the Journal (1890) and Letters (1893). Short Lives by G. Gilfillan, R. H. Hutton, etc., etc. |
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