Many pleasant letters passed between Jasmin and Mdlle. de Roaldés. The lady entertained the liveliest gratitude to the poet, who had helped her so nobly in her misfortunes. On the morning after her first successful appearance at Agen, she addressed to him a letter full of praise and thankfulness. She ended it thus: "Most amiable poet, I adore your heart, and I do homage to your genius." In a future letter she confessed that the rays of the sun were not less welcome than the rays of his genius, and that her music would have been comparatively worthless but for his poetry.

Towards the end of their joint entertainment she again wrote to him: "You have become, my dear poet, my shower of gold, my heaven-sent manna, while you continue your devotion to my personal interests. . . . As a poet, I give you all the glory; as a friend, I owe you the affection of my filial heart, the hopes of a better time, and the consolation of my future days . . . Let it be remembered that this good deed on your part is due to your heart and will. May it protect you during your life, and make you blest in the life which is to come!"

While at Nimes, the two poet-artisans met--Reboul the baker and Jasmin the barber. Reboul, who attended the music-recitation, went up to Jasmin and cordially embraced him, amidst the enthusiastic cheers of three thousand people. Jasmin afterwards visited Reboul at his bakery, where they had a pleasant interview with respect to the patois of Provence and Gascony. At the same time it must be observed that Reboul did not write in patois, but in classical French.

Reboul had published a volume of poems which attracted the notice and praise of Lamartine and Alexandre Dumas. Perhaps the finest poem in the volume is entitled The Angel and Child. Reboul had lost his wife and child; he sorrowed greatly at their death, and this poem was the result. The idea is simple and beautiful. An angel, noticing a lovely child in its cradle, and deeming it too pure for earth, bears its spirit away to Heaven. The poem has been admirably translated by Longfellow.

Dumas, in 'Pictures of Travel in the South of France,' relates an interview with the baker-poet of Nîmes.

"What made you a poet?" asked Dumas.

"It was sorrow," replied Reboul--"the loss of a beloved wife and child. I was in great grief; I sought solitude, and, finding no one who could understand me, poured forth my grief to the Almighty."

"Yes," said Dumas, "I now comprehend your feelings. It is thus that true poets become illustrious. How many men of talent only want a great misfortune to become men of genius! You have told me in a word the secret of your life; I know it now as well as you do." And yet Jasmin, the contemporary of Reboul, had written all his poetry without a sorrow, and amidst praise and joyfulness.

Chateaubriand, when in the South of France, called upon Reboul. The baker met him at the door.

"Are you M. Reboul?" inquired the author of 'The Martyrs.' "Which, sir--the baker or the poet?" "The poet, of course."

"Then the poet cannot be seen until mid-day. At present the baker is working at the oven."

Chateaubriand accordingly retired, but returned at the time appointed, and had a long and interesting conversation with Reboul.

While at Montpellier Jasmin received two letters from Madame Lafarge, then in prison. The circumstances connected with her case were much discussed in the journals of the time. She had married at seventeen a M. Lafarge, and found after her marriage that he had deceived her as to his property. Ill-feeling arose between the unhappy pair, and eventually she was tried for poisoning her husband. She was condemned with extenuating circumstances, and imprisoned at Montpellier in 1839. She declared that she was innocent of the crime imputed to her, and Jasmin's faith in the virtue of womanhood led him to believe her. Her letters to Jasmin were touching.